Browsing by Subject "Lithuania"
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Item type:Article, Access status: Open Access , Geoturystyczne walory wybranych obiektów przyrody nieożywionej Litwy(2010) Labus, MałgorzataThe short characteristic of Lithuanian geology is presented, as well as the landforms which are tightly connected to the sediments. The landscape was formed thanks to glacial and fluvioglacial processes. The land is covered mainly by Quaternary sediments. The outcrops of older rocks (Devonian, Jurassic, Cretaceous and Neogeneperiods) are rather rare. Although there are no mountains on the territory of Lithuania, the geomorphology of the country is differentiated. The kinds of landscape are: morainic hills and plains, wide river valleys, as well as narrow river gullies and many of lakes. One of the most interesting places in Lithuania is the Curonian Spit placed on UNESCO's World Heritage list. It is full of sandy dunes, the highest in the Northern Europe. Moreover the Curonian Spit is famousfor the real Lithuanian treasure - amber. In the article there are also presented some more worth-seeing places, e.g.: Birżai karstarea (formed by gypsum and anhydrite rocks), Pakruojis region, well known thanks to the exploitation of Permian limestones and Devonian dolomites, and the large erratics locations.Item type:Article, Access status: Open Access , Screening Milosz's philosophy: the multilayered construction of Tadeusz Konwicki's adaptation of The Issa Valley(Wydawnictwa AGH, 2013) Duda, PaulinaTadeusz Konwicki's adaptation of Czesław Miłosz's novel <i>The Issa Valley</i> is an adaptation of the latter's philosophy. Through a series of deliberately structured cinematic techniques. Konwicki creates a film that is a platform where two outstanding individuals meet, rather than a battlefield where each tries to surpass the other. By drawing on the paradigmatic structure approach created by Herbert Eagle, I demonstrate that <i>The Issa Valley's</i> meaning is created not on the level of the storyline but rather through the repeated cinematic segments that build a second »narrative« line within the film. Miłosz employs a similar strategy in his novel, which brings together both artistic styles, that of Miłosz and that of Konwicki. Furthermore, the similarities between the artists' biographies (childhood in Lithuania, life as refugees, a shared Romantic tradition) brings an additional layer to the adaptation. As a result, <i>The Issa Valley</i> film is a multilayered work that manifests not only Konwicki's artistic independence but also Miłosz's artistic philosophy and even the afterlife of his art.
