Browsing by Subject "Middle Ages"
Now showing 1 - 2 of 2
- Results Per Page
- Sort Options
Item type:Article, Access status: Open Access , Badania archeobotaniczne w nawarstwieniach historycznych z terenu Krakowa: metodyka - stan badań - perspektywy(Wydawnictwa AGH, 2009) Wasylikowa, Krystyna; Wacnik, Agnieszka; Mueller-Bieniek, AldonaPalaeobotanical studies of archaeological sites situated on the territory of modern Kraków were initiated in the thirties of the 20th century but intensive explorations began after the World War II. The investigations can be divided in two periods. The older one was based on materials collected from archaeological excavations carried out from the late forties to ca. 1965. At that time the richest plant remains were obtained from the Wawel Hill and the Main Market Square (Rynek Główny). The studies of the younger period, which began after 2000, are connected with the new archaeological works carried out in the Main Market Square, at Kanonicza 17 St., Krupnicza 7 St. and in several other places of the Old Town. Most of the data were obtained from the Medieval layers. In a few cases it was possible to indicate changes in the intensity and ways of management of the studied features. Considerable spatial and chronological variation of the distribution of plant remains was observed.Item type:Article, Access status: Open Access , The image of illness in Veit Stoss's works of art(Wydawnictwa AGH, 2019) Dębicki, JacekThe article takes up the issue of ideological connections between the philosophy of man developed in the 15th century by the Cracovian masters from the Universitatis Cracoviensis and Cracovian Gothic art, above all the sculptures created by Veit Stoss in his Cracovian period. The German master-carver showed in his Cracovian Altarpiece a vast range of individual portrait-studies, realistic and naturalistic in character. During the Cracovian period some essential transformations took place in Veit Stoss's oeuvre. He created naturalistic portrait-studies unknown in the European art of the time, depicting even pathological changes, such as cancerous skin lesions, which Stoss perceived on the human body. We have known – on the basis of archival sources – that Veit Stoss maintained friendly contacts with Jan of Głogów, author of the treatise <i>Physionomia hincinde ex illustribus scriptoribus per venerabilem virum magistrum Joannem Glogoviensem diligentissime recol lecta</i>, printed in Kraków in 1518. I wish to prove that the content of this treatise – including the issue of skin diseases – found its reflection in the art of one of the leading sculptors of the late medieval Europe.
