Browsing by Subject "aesthetic value"

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Access status: Open Access ,
Designing walking pathways for a tourist resort with the theory of six value aggregation paths
(Wydawnictwa AGH, 2021) Kowalczyk, Anna Maria
The study examines the possibility of applying the selected components of the theory of six value aggregation paths in designing walking pathways. Based on spatial data collected using a landscape assessment method on the aesthetic values of the landscape of the place under analysis, a model was developed of the network of links of the landscape aesthetic value using a minimum increase in this value. The authors designed scenarios for the optimal routes of walking pathways. The conducted study leads to the conclusion that the minimum value increase path may create a good basis for designing walking pathways. Not only is this manifested in the varied route of the pathway, but also in it being designed in such a way that the landscape's aesthetic value increases beyond an assumed level of aesthetic value. In addition, the use of hexagonal basic fields enables the design of various route lengths and the optimization of time by adapting the model to a specific group of recipients.
Access status: Open Access ,
Doświadczenie sztuki - empiria czy eksperyment?
(Wydawnictwa AGH, 2010) Chmielowski, Franciszek
In contemporary aesthetics exists an belief, that the experience of art is the primary fact, which initiates and leads theoretical refl ection, as also is the state basis of creating, valuing and the opinion on art. Present text is the test of philosophical recognition of relationship between fi eld of products of new art as well as with context formative it experiences. Author motivates thesis, that radical changes in present art have their source in of meanings consisting on primary notion of experience changes. The present artistic practice goes away from aesthetical experience as empiria and the contemplation and used the notion of experience as experiment and investigation, which dismisses art from her proper functions and brings it rather to aggressive ideology of scientism. The recognition of this progressive change of meanings in founding the art notion of experience has the important consequences both for understanding of present art and for describing it theory.