Studia Humanistyczne AGH
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ISSN 2084-3364
e-ISSN: 2300-7109
Issue Date
2021
Volume
T. 20
Number
Nr 1
Description
Journal Volume
Studia Humanistyczne AGH
T. 20 (2021)
Projects
Pages
Articles
Narzędzia cyfrowe do badania obrazów
(Wydawnictwa AGH, 2021) Radomski, Andrzej
The main subject of the article are digital tools, which can be used to examine photographs, films and multimedia. The author claims that the methods used so far are not suitable for studying digital culture (primarily visual, and especially for studying large data collections - called big data. This is due to the fact that they were developed to study the so-called textual world. The article presents various programs and machine learning, with the help of which it is possible to study: a) the features of the images themselves, as well as what is in the individual images. The author, on the example of digital analysis of two films, shows the cognitive capabilities of modern information technologies - including artificial intelligence. This type of new research of images is classified as digital humanities.
Płeć społeczno-kulturowa jako kategoria różnicująca proces projektowy specjalistów »user experience«
(Wydawnictwa AGH, 2021) Cieślak, Katarzyna
This article approached the concept of gender category in the new technology industry, especially in the user experience (UX) design process. The research problem relates to the question of how gender differentiates the user experience design process? According to the analysis of the qualitative method (Individual In-depth Interview) the author distinguished elements that diversify the UX design process from a gender perspective. The main issues contained in colors, content, shapes, photos, graphics displayed on websites and apps dedicated to gender-specific users. The research included designers and researchers who are responsible for building user experience in web and mobile application projects.
I tak w koło Macieju, czyli jak powstaje szum medialny
(Wydawnictwa AGH, 2021) Miotk, Anna Danuta
Media hype was defined by Peter Vasterman as a media-generated wave of wall-to-wall news triggered by one specific event and amplified by the self-reinforcing process in media news production. Researchers studying this phenomenon refer to it by different names, indicate its typical features and present its course in the form of graphically visualized models, and reflect on its origins. The aim of the analysis described in the text was to systematize the knowledge about researchers of the causes of media noise on the basis of an analysis of the English-language literature on the subject. This is the first analysis of this type, both in Poland (where media hype as a spontaneous phenomenon has not been described so far) and abroad (where the phenomenon has not been systematized so far).
Pojęcie opresji społecznej w ujęciu Ann E. Cudd
(Wydawnictwa AGH, 2021) Penczek, Mateusz
The purpose of the article is to analyze and discuss a definition of social oppression proposed by Ann E. Cudd. First, selected ways of understanding social oppression in contemporary philosophy will be characterized. Second, key elements of the definition will be identified. Third, social and normative dimensions of oppression will be examined. Next, material and psychological forces of oppression will be discussed, including violence, the credible threat of violence, economic inequality, rational choices of the oppressed, and psychological harms of oppression. Then, the most important interactions between the forces of oppression will be outlined. Finally, selected advantages and limitations of the definition will be pointed to.
Motyw Ahaswera w twórczości Aleksandra Wata. Od figury zbiorowości do znaku jednostkowości
(Wydawnictwa AGH, 2021) Król, Karolina
The article analyses the Wandering Jew theme in literary works of Aleksander Wat. The author focuses on those texts which have been neglected by researchers analysing this theme. An important part of article is the analysis of Wat's notebooks and letters to his wife. The Wandering Jew theme in literary works of Aleksander Wat transforms from the figure of collectivity into the figure of individual fate. Moreover, Wat interprets Ahaswer by means of the writer’s own life. Ahaswer in later works of Aleksander Wat begins to show a consciousness of gulit and has a need to make atonement. An attempt of interpreting Ahaswer's fate as a modernistic figure can be made on the basis of chronologically last Wat’s texts pondering on the life of the Wandering Jew.